yep
George Recile.
he's crazy!

here are some others from a different room:

those mics shown strictly left or right or centre. If I use close tom mics I might pan them into apparent position, but I VERY rarely do that. the high side mic probably isn't as close sit looks in that photo, but also that's at Royal, a VERY dead room. In a more live room I might be more inclined t...

not the very best photo, but this sort of shows my general positioning.

1) What is your preferred, or most widely used, stereo overhead technique when recording the drum kit, particularly in the rock/pop genre? I rarely use ANYTHING "overhead" in the literal sense, but when I do I tend to use one mono centered mic; usually a ribbon (which means it's also a fig...

yawn

.

Isn't Kenny talking about paralleling in some uber compressed, bright, version?
NOT about "chorusing"???
if you introduce intentional phasing, you can;t really be surprised it "sounds phasey" can you?

Gronk wrote: ↑February 5th, 2018, 8:22 pm ...
That's what I like about the Michael Stavrou articles and book...the challenge of working with limited gear, and still getting a good result.

working at AIR studios was "working with limited gear"?
seriously?

I found that book to be a lot of hocus pocus

for those of you interested,

https://www.youtube.com/watch?v=6u349kg-A-Q&t=1237s

What matters with monitors is what they "make you do". that's really ALL that matters; although it's a bonus if they're also pleasant to listen to, because you're apt to be listening to them for long hours at a time. But even when Bob Clearmountain was describing how he came to start mixin...